What is hidden in snow, comes forth in the thaw.


Ross. 21. UK. You'll find me in the matinee, the dark of the matinee.

Things I love:
Fincher's darkness
Scorsese's complete mastery of cinema
Lynch's terrifying weirdness
Paul Thomas Anderson's originality
Mamet and Tarantino's dialogue
Demme's close-ups
Von Trier's audacity
Spielberg's magic
Raimi's mischief
Danny Boyle's energy
Woody Allen's wit
Wong Kar-Wai's romance
Soderbergh's versatility
Wes Anderson's quirk
Ridley Scott's vision
Powell and Pressburger's imagination
De Palma's set-pieces
Nolan's narratives
Nicolas Winding Refn's violence
Argento's opera
the Coen brothers' everything.

Theme by @kashleys.

#30 The Grey (2012) Dir. Joe Carnahan

The first great film of 2012 is here. This isn’t just another “The World vs. Liam Neeson” movie despite what the wolf-punching trailers would have you believe, it’s an amazing survival movie that never, stops, fucking, moving. Edge of your seat entertainment at it’s finest and it contains Liam Neeson’s best performance since Schindler’s List. This is the same Joe Carnahan that made Narc, not the silly A-Team incarnation. It’s the work of a filmmaker with something to prove, to prove he can still excite, thrill, chill and entertain the crowd on a big scale. All the cliche genre scenes are there but they are handled with such surprising honesty and refreshing restraint. Carnahan never goes for the cheap tricks to get your emotion, the music doesn’t well up as a character dies and slow motion is saved until the final scene. It has a really gritty, grainy desaturated visual style and it looks like nothing else out in the cinemas right now. This could have been very silly, but it’s likely to be one of the most surprising movies of the year. It’s not often January gives us a film this good. If this is the example 2012 has set itself, it’s going to one hell of a year. 

#30 The Grey (2012) Dir. Joe Carnahan

The first great film of 2012 is here. This isn’t just another “The World vs. Liam Neeson” movie despite what the wolf-punching trailers would have you believe, it’s an amazing survival movie that never, stops, fucking, moving. Edge of your seat entertainment at it’s finest and it contains Liam Neeson’s best performance since Schindler’s List. This is the same Joe Carnahan that made Narc, not the silly A-Team incarnation. It’s the work of a filmmaker with something to prove, to prove he can still excite, thrill, chill and entertain the crowd on a big scale. All the cliche genre scenes are there but they are handled with such surprising honesty and refreshing restraint. Carnahan never goes for the cheap tricks to get your emotion, the music doesn’t well up as a character dies and slow motion is saved until the final scene. It has a really gritty, grainy desaturated visual style and it looks like nothing else out in the cinemas right now. This could have been very silly, but it’s likely to be one of the most surprising movies of the year. It’s not often January gives us a film this good. If this is the example 2012 has set itself, it’s going to one hell of a year. 


Tags: #Movies Watched In 2012 #The Grey

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